The Keeper's Random Ramblings - What's in a name and a photo?

A couple of weeks ago I visited Brisbane to see our son and he suggested an excursion to Mount Tambourine.  It was a wonderful trip to a charming township with delicious rewards from the micro-brewery(Mt Tambourine) and local cheese company (Witches Chase) based there.  Sadly there was not time to travel on to visit the interestingly named town Beaudesert but as you can see from the photo – I got close to going there!

You may ask why I wanted to visit this French sounding place in the Queensland Hinterland beyond the ranges. The answer is that the 400 year old interior at Carrick Hill was purchased by Bill and Ursula Hayward from the demolition sale of BeaudesertHall in Staffordshire.  They were motoring the shires of England on their honeymoon in 1935 when they came across the this country seat of the Marquess of Angelesy that he could no longer afford to run ( he had a second house on the Isle of Angelsey ‘Neu Plas’ now owned by the National Trust).  The full story of what they acquired (it included a staircase, windows, doors, fireplaces and oak panelling) can be read in the recently published book: Carrick Hill: a portrait.

Whilst on the Royal Collections Studies course last September  held at Windsor Castle, I learnt from Jonathan Marsden, the Director of the Queens Collections, that the Paget family who owned Beau Desert did not pronounce it with a French styling but as two words sounding like: bow desert (the dry sandy variety not a pudding).  This was quite upsetting to some of our guides when I told them as they had been told by visiting locals from Litchfield and Cannock Chase near Beau Desert that it was given a French sounding pronunciation.

I was also told by Jonathan that Tudor bricks from Beaudesert were used to repair WWII bombing damage to St James Palace in London.  So fancy Carrick Hill sharing a source of materials with a palace – a brush with a royal building?

The photo shown here is in the Carrick Hill collection but it's subject has long been a mystery.  That is until I was doing some research into the Beaudesert garden to see if Ursula had borrowed any ideas for her Adelaide garden as well as collecting an interior!  It was a vast house with extensive garden and grounds (99 employees to work the estate and run the house).  I discovered that the photo is taken from an unusual position which the great article in Country life book (also in the collection) did not use.  From the stamp on the reverse of the print we know the photograph was taken by The Times but what for? Was it to report the demolition of the great house and its forthcoming architectural salvage sale on 18 & 19 July, 1935?

The image presents a wild fore ground which enables us to imagine the forests that the Bishop of Lichfield hunted in when Beaudesert was their hunting lodge in the fifteenth century.  This was before the Paget’s had risen to prominence as Elizabethan lawyers and been given the property for services to ER I.  Then we see the back of the house in the distance with the oldest window range and formal gardens with banks and terraces.

A quiet word from the List Mistress - ‘Lancashire’ dining chairs

Three Carved oak ‘Lancashire’ dining chairs (from an unmatched set of 11), England, late 17^th century

Carrick Hill house is actually quite modest in size and visitors are often very surprised when they walk into the house to be confronted by the vision of a grand oak staircase, dark oak panelled walls and rooms filled with old English and European carved oak furniture.   This becomes even more remarkable when you hear the story of how in 1935 the Hayward’s, then on their honeymoon in England, purchased interior fittings and furniture from the  extensive demolition auction of a mid-16th century Staffordshire mansion named Beau Desert hall. 

It was around these purchases that the Haywoods  had shipped back to South Australia, that the local Adelaide architectural firm of Woods Bagot Laybourne -Smith and Irwin designed and had constructed the house they would then live in for the rest of their lives.  To complement the oak panelling in the west facing dining room the Haywards acquired a collection of so called ‘Lancashire’ carved oak chairs that date from the period 1680-1700.  There are eleven of these heavy and impressive chairs (six forming a set plus another five to complement)- they are also referred to in the furniture trade by the term ‘joined back-stool’.  Their distinctive style and carving make it possible to locate their construction specifically to the Lancashire district in England and to date them to the late 17^th century although similar chairs were made at the same time in the neighbouring area of Yorkshire.

Although each chair looks similar each has its own individual carved back panel which features a decorative design of bold stylized oak leaves with motifs such as acorns, thistles or the simple 4-5 petalled Tudor rose.  Two larger carved carver style armchairs make up the suite of chairs that surround the large, simple, oak refectory table.     

Photo: Mick Bradley

References:

Carrick Hill: A Portrait edited by Richard Heathcote, pub. Wakefield Press, Adelaide 2011

Oak Furniture; The British Tradition by Victor Chinnery, pub. Antique Collectors Club Ltd, 1986